THE ACCIDENTAL POSSIBILITIES OF THE CITY: CLAES OLDENBURG’S URBANISM IN POSTWAR AMERICA

KATHERINE SMITH IN CONVERSATION
WITH SUSANNEH BIEBER

Event date: 
Monday, March 1, 2021 – 7:30pm to 9:00pm

Charis and Agnes Scott College welcome Professor Katherine Smith in conversation with Susanneh Bieber for a celebration of Smith’s groundbreaking study of the sculptor, Claes Oldenburg:  The Accidental Possibilities of the City: Claes Oldenburg’s Urbanism in Postwar America. This event takes place on crowdcast, Charis’ virtual event platform. Register here.

Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory.
 
Smith argues that Oldenburg adapted lessons of context, gleaned from New York’s changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg’s innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States. 

Katherine Smith is Professor of Art History at Agnes Scott College, where she teaches modern and contemporary art and architectural history and theory. Her research focuses on intersections in postwar American art and architecture, with emphases on sculpture and urbanism, from an increasingly global perspective. She has written on the influence of postwar and contemporary art on projects by Robert Venturi and Denise Scott Brown for Relearning from Las Vegas (University of Minnesota Press, 2009) and Eyes That Saw: Architecture After Las Vegas (Scheidegger & Spiess, 2020). Her research on Claes Oldenburg has appeared in several journals, including Archives of American Art Journal (2009) and Public Art Dialogue (2011). Her book The Accidental Possibilities of the City: Claes Oldenburg’s Urbanism in Postwar America is available now.

Susanneh Bieber is Assistant Professor of modern and contemporary art history at Texas A&M University. Her research focuses on American art of the long 1960s in a transnational context, with a particular interest in the relationship among art, architecture, and the built environment. She has received fellowships from the Smithsonian American Art Museum and the Crystal Bridges Museum of American Art. Her essay on inflatable architecture received the 2020 JAE scholarship design award for best article of the year, and her research on “The Origins of Judd’s Minimal Art” was awarded with the 2017 Terra International Essay Prize. Previously, Dr. Bieber worked as curator at the Tate Modern in London and the Fresno Metropolitan Museum in California. She received her PhD from the Freie University in Berlin.

We will be archiving this event and adding closed captioning as soon as possible after airing so that it will be accessible to deaf and HOH people. If you have other accessibility needs or if you are someone who has skills in making digital events more accessible please don’t hesitate to reach out to info@chariscircle.org. We are actively learning the best practices for this technology and we welcome your feedback as we begin this new way of connecting across distances.

By attending our virtual event you agree to our Code of Conduct: Our event seeks to provide a harassment-free experience for everyone, regardless of gender, gender identity and expression, age, sexual orientation, disability, physical appearance, body size, race, ethnicity, religion (or lack thereof), class, or technology choices. We do not tolerate harassment in any form. Sexual language and imagery are not appropriate. Anyone violating these rules will be expelled from this event and all future events at the discretion of the organizers. Please report all harassment to info@chariscircle.org immediately.

Searching for Home Video Exhibition Exploration

This year, more than ever, the search for home feels especially relevant. Is home now a place for business, schooling our children and family time? Is our current home ideal or just temporary? Searching for home explores the many ways people are contemplating home in 2020.

The search for home is a journey that we all find ourselves on in life. In this video tour of our fall exhibition hear four artists from the exhibition, the College’s Director of Sustainability and three Agnes Scott College professors of anthropology, sociology, and culture discuss the ideas of home.

PRESS RELEASE

Agnes Scott’s Dalton Gallery Opens Exhibition with COVID-19 Safe Requirements

Searching for Home Artists’ Work Explores Themes Relevant to Our Current World

Decatur, GA – September 14, 2020 – The Department of Art and Art History at Agnes Scott College is pleased to announce the opening of Searching for Home, one in a series of quadrennial exhibitions generously sponsored by the Margaret Virginia Phillip Art Endowment Fund.

“We couldn’t be sure if the show would go on once Covid-19 and its impact became our new normal,” said Nell Ruby, Art and Art History Program Chair at Agnes Scott. “I and our college leaders are particularly proud that we managed to pull all of the components of such an endeavor together and that we have created a safe way for people to visit the Gallery.”

Searching for Home, more than a year in the making, includes 22 regional participants representing the disciplines of sculpture, painting, photography, fiber arts, quilt making, textile stories, collage, lithography, architecture, and mixed media. The 16 living artists and organizations in the exhibition are diverse in age, race, homeland, and perspective. Five additional works from three artists are on loan to the exhibition by way of the CJ Williams Collection of African-American artists from the South: well-known, primarily self-taught artists Clementine Hunter, Sister Gertrude Morgan and Bernice Sims. Deceased Agnes Scott alumnae and prolific architect Leila Ross Wilburn is represented through her series of plan books for middle-class Americans looking to build a home, without the expensive fees of professionals like herself. THE MAD HOUSERS, an Atlanta nonprofit with a mission to advocate and provide shelter for homeless individuals and families in Atlanta, shares the construction plans it gives to volunteers to help them create simple shelters. And, Agnes Scott alumnae and supporter Virginia Phillip loaned her own Beverly Buchanan lithograph to this exhibition.

The exhibition was curated by three-time Dalton Gallery visiting curator Dorothy (Dot) Moye, a long-time Atlanta arts consultant, connector and advisor to arts organizations, corporations and individuals. She founded The Book as Art program with the Decatur Arts Alliance and has also curated Book as Art shows for Hartsfield Jackson International Atlanta Airport and Georgia Center for the Book.

“I’d never heard of the Dalton Gallery before Dot invited me to take part,” said textile story artist Dawn Williams Boyd. “Now that I’ve been here, I can say it’s a beautiful space and a diverse show that Agnes Scott should be lauded for going out on a limb to share. I’ll be back.”

Williams Boyd’s work has shown across the US and in Europe and is known for its keen attention to historic detail as well as current societal issues; her two pieces in the show cover modern homelessness and the 1927 Evangeline flood in New Orleans. Other such motifs emerge in the work of all the participants.

More information and a full list of participating artists can be found here and in the exhibition’s online catalog.

Five people can visit the gallery at a time during its open hours on Mondays, Wednesdays and Fridays from now through December 12. Advance sign-up through Eventbrite is recommended and masks are mandatory at all times while on campus and in the Gallery.

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Agnes Scott College educates women to think deeply, live honorably and engage the intellectual and social challenges of their times. Students are drawn to Agnes Scott by its excellent academic reputation, exceptional faculty and metropolitan Atlanta location—offering myriad social, cultural and experiential learning opportunities. This highly selective liberal arts college is known for its diverse and dynamic intellectual community. Through SUMMIT, it provides every student, regardless of major, with an individualized course of study and co-curricular experiences that develop leadership abilities and understanding of complex global dynamics. 

Searching for Home

image by Dawn Williams Boyd

A PROJECT OF THE MARGARET VIRGINIA PHILIP ENDOWMENT

Gallery Hours:
The gallery is currently open for in person visits by appointment only Monday, Wednesday, Friday 12-5pm. Reserve your ticket here.

We have all searched for home. Some have found it, while for others it is a lifelong quest. In this century the entire interwoven globe has reeled from constant motion to arrested stop – and soon, back again — reacting to displacement – war – pandemic – violence – poverty – danger – climate – upheaval – politics – chaos – nature’s whims – disease. As the pendulum swings, some search for an ideal PLACE; others yearn for psychic or spiritual sanctuary. The search may be a physical progress or a journey of the spirit; the seeking may be voluntary or forced; tragic or hopeful. The goal is a better life and safety for ourselves and those we love – the security of HOME. Artists are sharing the quests – giving faces to the seekers – exploring the paths – joining the search. We know when we get there.

View exhibition catalog

Featuring work by:
Dawn Williams Boyd
Beverly Buchanan
Yehimi Cambron
In Kyoung Chun
Ruth Franklin
Ruby Franklin
Ruwaida Ghanoum
Clementine Hunter
Marquetta Bell Johnson
Calvin Kimbrough
Grace Kisa
Macey Ley
The Mad Housers
Ethel Wright Mohamed
Sister Gertrude Morgan
Lynn Pollard
Jess Self
Jennifer Shaw
Bernice Sims
Daniel Troppy
Leila Ross Wilburn
Jamele Wright, Sr.

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